Dale Mincey (former guitarist of New Math) says, “This whole “Scorgiemania” phenomenon drove me to my basement to dig for forgotten memories.”
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“Gary, Chris and I (Roy) are really excited about the prospect of playing the “old songs” again and are psyched about the show, seeing everybody and hearing some great music. We thought it would be a blast to redo an old New Math song with the benefit of what today‘s technology can provide in terms of the ease and quality of recording so in typical D.I.Y. Scorgies fashion we re-recorded “Garden of Delight” with the singer/guitarist who will be joining us at the reunion show. The first New Math song in 25 years…..yipes. The tune with the full back story of how it came together is available to download for free at: http://www.myspace.com/newmathnow
It looks as though Mark will also be joining us on keys at the reunion show giving us 4/5ths of the final and longest lasting incarnation of the group………now if only we could talk Kevin into joining us………….”
Peter Presstone was, and still is, a prolific songwriter. I may be biased, having spent so much time with him. Of the few board tapes I have that have been converted to digital (big thanks to Dave Anderson at Saxon Recording, and an official Press Tone himself), the song count is close to 70. And this is probably over a 3 year stretch, give or take, and not all songs are on the tapes I have. In the bands that followed, namely, Pets & Small Children which became the Chinchillas, our song list tops out over 400, and that’s from roughly 1985 until today.
Yet it’s not only his ability to pen songs that get my admiration, but the ease at which he nails both melody and hooks. That’s one of the reasons I’ve hung with him for so long (well, that and I think he still owes me money). I’ll post some of the nicer stuff in a bit, but Peter also has a dark side. Songs like “It Must Be April,” whose chorus goes, “Where is my mother, where is my father, they took them down to the burners,” talking about the Holocaust. Another song, which you’ll see below (if I code it correctly), was called “Rape,” and it was a rough and raucous song, which features some dissonant tri-tone guitar work at the end. The lead is also Peter, since he did most of the leads when I joined up, and his style is a kind of play from the gut approach that may not be polished, but nevertheless stands out.
Also, the dedication on this one, where Scott says “this goes out to Luke and Laura,” is not about Luke the DJ. Fans of General Hospital can fill you in on that story.
That’s what Johnny Thunders said when he read the front cover of the kick drum the night we opened up for him. I can’t remember if it was before or after he blew up Peter’s amp, but he said it. I might have had a tape as proof, maybe I gave it to Peter, but I don’t know where it is.
As a preliminary post though, I thought I’d mention the speed of the band, one thing we were accused of a lot. There were some songs that went by real quick, and I figured I’d use what is on this site, and some stuff from board tapes I salvaged. If you check the video section, you’ll see New Math doing “They Walk Among You.” Not their fastest number, but it’s up there, and it clocks in at around 120 beats per minute (bpm). And if you check the first video by Personal Effects, “Darlin,” a more uptempo number, it whizzes by at around 155 bpm. If you check the song below called “Who Needs You” from a recording in the early 80’s, you’ll notice a much more brisk tempo, one that tops out just shy of 260 bpm. Not all songs were that fast, of course, and nothing will blaze by that quickly on November 21 at the German House, because we’re all older and bloated. And not to sound too much like Grandpa Simpson on the front porch yelling at neighborhood kids, but back in the day we were loud and fast, like rock and roll is supposed to be. More stories to come, of course, but I figured I’d get at least one post up before I’m pushing up daisies.
“Who Needs You” by The Press Tones
[audio:http://www.frontiernet.net/~bribas/whoneedsyou.mp3]Tags: Press Tones
While I wasn’t a ‘regular-regular’ at Scorgies the way Simon Ribas, Jason Brown, or Andrea Kohler were, I sure did hit the club on opportune nights. Besides the Ramones show, which blew me away, my best memories from my days at Scorgies were easily the nights that Cleveland’s I-Tal played down under Andrews Street.
I-Tal sounded and felt a lot more like a reggae band right off the boat from Kingston, or Montego Bay, rather than an indigenous band from the ‘Mistake by the Lake.’ I-Tal had a groovin’ guitar player, killer roots rock rythems, and reliable percussion. Many a night I closed my eyes on the dance floor, and let their hypnotic music wash over me.
I recall one time I-Tal played Rochester, but not Scorgies. I went to Bulls Head Plaza, to a basement club, and grooved all night. Does anyone recall the name of that club?
Look forward to seeing some of the old crew on Friday, 11/21/08. Thanks.
Chris Wilmot, Co-Publisher, smugtownbeacon.com
Tags: Wilmot on I-Tal
As mention else were on this site. I had a high school band called The Sonic Reducers. We parted ways with our singer and somehow we found ex-Presstones singer Jimmy Freeze! Jimmy re-named the band The Twisted Hearts and we practiced in the basement of my parents home in Brighton. Jimmy shows up and sez we have a gig at Scorgies!!! It was opening for STIFF recording artists WIld Willy Barrett & John Otway.
We played the gig. As I remember there wasn’t a lot of people there but I really didn’t care. I was finally on the stage where I would see New Math, The Hi-techs, The Bowery Boys, Delroy Rebop and many more!!!
Please post your first Scorgies gig!!!
Brian Goodman
Tags: Brian Goodman, Charles Abbott, Jimmy Freeze, Mike Abrams, Scorgies, Twisted Hearts
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