Articles by Stan the Man

You are currently browsing Stan the Man’s articles.

Note, I have updated the link to Mike’s Show, Whole Lotta Shakin. Mike’s show is now on WRUR FM (and simulcast on Ithaca’s WITH FM)

Scorgies Reunion Poster by Bob Martin

Scorgies Reunion Poster by Bob Martin

The reunion is less than a week away and already we have three posters for the show. The latest is from Bob Martin and is to the left.

Bob, Simon Ribas, Pete Presstone, Gary Trainer, Del Rivers and meself will be guests on Whole Lotta Shakin with DJ Mike Murray. WLS is broadcast every Saturday between 4-6 PM on 88.5 WRUR FM (formerly on RIT’s WITR FM).

A note about tickets: while they are not being sold through Ticketmaster (hey, no egregious service charges), they are available at the Bop Shop ( Village Gate Square, 274 North Goodman Street ph. 585-271-3354) or at Abilene (153 Liberty Pole Way  ph. 585-232-3230).

This just in (From Abilene’s website):

“Make plans for the Scorgie’s Reunion After-Party later that night at ABILENE save your ticket stub and your first drink is FREE!”

Note: for of out-of-town friends who need to purchase tickets in advance; please call the Bop Shop at 585-217-3354 and the Bop Shop staff will help with your ticket purchases.

Also, If anyone out there doesn’t want to worry about driving, Jim Havalack of Quality Transportation can arrange anything from a Sedan to a Limo to take you and your freinds to the Scorgies Reunion in safety and comfort. Call 585-455-8294, mention Scorgies, and you’ll get a special rate!

Tags: , , ,

SET LIST MANIA

Projectiles Set for Ray's Stag

Projectiles Set for Ray’s Stag

Set lists are instant artifacts; hastily scribbled out on a scrap of paper before a gig (I used to use old band fliers). Typically, after the band had loaded in and finished their sound check, you had a little time left to scratch out a set list before the audience filtered in and then hand copy it out for other band members, unless you were organized enough to put together one before the gig!

If you were the second or third on a bill then you could luxuriate in the dressing room drinking beers put together a list of songs (or, if you were Debora Iyall of Romeo Void, you would get your set together while downing two dozen of Scorgies’ finest Buffalo wings). If your band was on the bottom of the bill, however,  you didn’t have much time to commit your list to paper (especially if you were a “Last Minute Larry” like me).

I’ve acquired a few set lists from New Math, Personal Effects, Hi-Techs, The Press Tones, The Projectiles, The Cliches, Bowery Boys and Invisible Party. I’m certain that a few of the Scorgies alums among us will be printing them out and trading them with their pals. Check them out after the jump.

Read the rest of this entry »

Tags: , , , , , ,

Steve Lipincott of the Earcandy Archive (from Portland Oregon, home to expatriates Jim Huie and Rob Cullivan) sent me a link today to the collage “that will go along with a post announcing the forums and a Vol 1 of a podcast” on the Flower City music scene (If you haven’t done so already, check out his Absolute Grey article here).

I guess this means that Rochester is finally getting some recognition, after all of these years. Perhaps this will shine a light on the music scene we’ve come to know and love!

Flower City Jukebox

Flower City Jukebox

Link to page here, more to come (obviously).

Notebook Issue 1 with Personal Effects cover

Notebook Issue 1 with Personal Effects cover

Wikipedia defines a fanzine as “a nonprofessional publication produced by fans of a particular cultural phenomenon (such as a literary or musical genre) for the pleasure of others who share their interest.” Over the years, there have been several publications of this type, including Greg Prevost’s Outasite and The Refrigerator.

The Notebook is a classic example of this type of self-published media. Created by Absolute Grey drummer and agent provocateur Pat Thomas, the Notebook enjoyed a 4 issue run before Pat pulled the plug. Pat was kind enough to reply to my email questions about the his fanzine days and the full interview (as well as scanned PDFs of the Notebook) are after the jump. Read the rest of this entry »

Tags: , , ,

Jukebox Heroism

Gary Numan - Cars b/w Metal

Gary Numan - "Cars" b/w "Metal"

There have been several posts to date referencing the Jukebox at Scorgies; today’s post is all about the singles. From the collection of Danny Deutsch, I have scanned the actual 45 rpm singles (with sleeves, if present). This is in no way meant to represent a comprehensive, all-inclusive selection of every 45 on the jukebox. However, the mix is interesting: three classic Rolling Stones singles and two each by Eddie and the Hotrods, David Bowie, Roxy Music, Tom Petty and the Heartbreakers and Ian Dury. A few lost-in-the-shuffle artists like Genya Ravan, Willie Nile and Ian Gomm make up the rest of the mix. I’ve posted both sides of the Eddie and the HotRods picture sleeve for “Life on the Line” single because I’m certain the “B” side “Do Anything You Wanna Do” got more play. Plus, it was the last song Rock and Roll Joel aired on WRUR.

What’s missing? I seem to remember ABBA being on the Jukebox; after Danny left (ABBA being a favorite of Don’s). Anyone else care to chime in on the missing songs?

Danny deserves thanks and praise for preserving these slabs of vinyl. Take a gander at the Jukebox gallery after the jump; you might want to download a photo or two to add to your iTunes when you create your own special “Scorgies” Mix.

Read the rest of this entry »

Tags: ,

UPSTAIRS: or How Scorgies Ruined My Life

Andi Koller

Andi (Thegirlontheleft)

By: Thegirlontheleft

In fall of 1979 word got to me in the Mercy cafeteria that there was a bar I had to check out. Seems some of the Southwedge girls had heard my eulogy to Sid Vicious in the art room the previous spring and just knew I should be introduced to Scorgies. I blame them. Terri B and I made our way to Andrews St. in her Torino one Friday night, only to find a bland, Izod-covered crowd heading downstairs to see Duke Jupiter.

So what’s the big deal? We might as well be at the Mason Jar. Peering into the windows of the main entrance revealed a far more interesting sight. There was Kim B, a junior at Mercy, draped over some short dude in a biker jacket who we would come to know as Jimmy Jazz. A girl who could pass for Nancy Spungen had fallen on the floor. A guy who I later knew as Geoff Wilson sat alone and mysterious, staring back at us. Now THIS is more like it.

Senior year of high school was devoted to scrounging money off the floor of the car to afford .50 draughts at Scorgies. Tracey joined me, Kelly joined her, and it was all downhill from there. Targets, the Bowery Boys, Cappy and the Frenchmen, Delroy Rebop and New Math were our excuses for heading to the depths. After 20 minutes at my senior ball, my date (ol’ whatshisname) and I skipped out to make the New Math show.

Upstairs was our reliable house of fun. We knew everyone there by name, or by the nickname we had bestowed upon them. Blazer – he always wore a blazer….stripey! – he always wore stripes…happy smoker guy – yeah you guessed it. Our imagination knew no bounds. We became aware of a tall, hunched, hippie throwback of a dude, scraggly hair, grungy teeth, clothed in paint-stained thrift store rejects. Juraj, aka George, with his Holly Matchet jacket billowing in the night air. He charmed us with his endearing antics – grabbing our boobs and flicking lit cigarettes at us. Somehow he got across to Tracey that he wanted us to go to his house for dinner. I never did figure out how he communicated that since his Austro-Czech mumbling was mostly unintelligible. But if you happened to run into him at Ferrari Park Ave Exxon, you witnessed fleeting moments of clarity in which he could discuss music, politics and mutual acquaintances. So there we found ourselves, eating schnitzel at George’s rambling house off North Goodman. What were we thinking?

Danny Deutsch and Scott W. behind the bar (two of the more sympathetic bartenders – don’t ever tell your troubles to Jeff L. or John K. – they’ll laugh at you), and assorted bouncers who were all named Joe could be counted on for a shout out. Where everybody knows your name. Danny was always so kind as to have my gin & tonic waiting for me at the end of the bar. And then came Ohio. I left for the wrong college, got a radio show there, had some farmer groupies and never went to class. I brought with me tapes of Rock & Roll Joel’s show. Peter, Tracey, Molly and I, and maybe John Sw., visited Joel in his studio that summer, under the pretense of being a band from East Germany called Revolutionary Sled. (I had heard that term out of Jim McKay’s mouth when he was covering the bobsleds in that year’s Olympics.) Joel was gullible.

Summer of ’81 brought interesting characters to upstairs Scorgies. The girls and I noticed the westsiders: a Chili gang and one Aq boy Tracey had long scoped out. And Peter had united with Bill C and Bill R from Hit & Run. Jason came with the Pittsford package. We all joined forces, in a matter of speaking.

The Boys of Scorgies

The Scorgies Gang

We pursued our many hobbies that summer. Angleo perfected the sport of shoving down the hottest wings Tim or Pat Shafer could cook up. Wings on the table, pitcher in hand, red rimmed eyes, and us laughing at him. Willie played Ferry Cross the Mersey 13 times a night and I beat oh yes I beat Jeff L. and Phil J. in a bowling table smackdown. Phil, in his lucky Member’s Only jacket, with sidekick Marvin nearby. Craig, Terry, Richie, Proud, upstairs dwellers all until another opportunity came along to yell PINK HAT at the band downstairs. I met Stan that summer, long before he became the local folk hero he is now.

The weeks, months and years get blurry. Kelly died and we got hit with a big shot of reality. The Presstones offered to play a tribute show in her memory and Tracey arranged for the money to be donated to a scholarship fund at Kelly and Tracey’s alma mater, Nazareth Academy. Tracey went back to college in NYC and stayed away (or did she?) and I stayed at Scorgies, making a long series of bad boyfriend decisions. But Beanie and Maggie and I had fun upstairs. We artistically added to the bathroom graffiti and made some lame attempts at studying between bowling games. At Christmas that year, Proud strolled through the bar gifting everyone with Joan Jett cut-out LPs.

One weeknight a particularly bad actor rolled in and got belligerent with most of us there. He got in Steve Nuke-em’s face one too many times and next thing I knew they were throwing each other around the barroom, smashing through the lined-up video games that Scorgie was using as room dividers. Everyone piled on but Scotty got him out. After we settled down and had ordered another round, someone yelled, “He’s back with a gun!” and everyone freaked. Last I saw before hiding under the shuffleboard game, Scott was smashing the guy on the head with a barstool as he walked in. I have no idea how that was resolved – but I don’t think we ever saw that guy again. I’m not sure if Dave King ever left the Gallaga machine.

Each week new and fascinating individuals made their way to Scorgies. Pete Presstone met some chicks from Greece. They chain smoked and chewed gum at the same time, but if Pete said they were ok, well…then ok. Karen and Erin made themselves known in their shorty leather jackets and mini skirts and were welcomed into the fold. Chris Ph. and Jackie could be seen through the windows, cruising in Chrissy’s Electra the size of an above-ground pool, looking for a parking space. Chris, the epitome of retro glam and Jackie, pulling off a blend of Merry-Go-Round meets Mod. Ashley in her leather and long hair, quietly reading her book upstairs amidst the mayhem.The height of Mohawk Mike’s hair topped Jackie’s bangs. Dirtbag, sort of like a Scorgie’s Pigpen. Huge scary Joanne threatened to put a hurt on everyone. Cousin Al in his trench coat. Laura the Sibley’s model. But some chicks just couldn’t be tolerated. Like that big Kim girl, the first of the cutters. Karen was ready to take her on but we talked her down. Jason wanted to see it happen.

Bad blood had been bubbling up between the Shafer girls and the Byrne Sisters. Don’t know who was playing that night but we were crammed in upstairs. It was hard to move between the tables and the bar when suddenly someone lunged and chaos ensued. The only true girl fight I ever saw take place at Scorgies was going on at full throttle and the fans went wild. And this wasn’t just hair pulling. Fists were flying and a pulsating, kicking, frenzy of acid-wash jeans rolled on the floor. Tables overturned, beers spilled, and grown men stood on chairs for a better view. I hid in the corner by the payphone. Dorie, neither a Shafer nor a Byrne, took some for Team Shafer and ended up with stitches. Definitely worth going out that night.

The Scorgies Front Window

Rich H. at the Scorgies Front Window

At some point Scorgie opened up the other side at night for more room and we tentatively ventured in. The bathroom was not very fun over there. We sat in booth seats at longer tables but only when we couldn’t fit in the main barroom. Some guy on that side called me the Sounds Great Tape Girl and he looked surprised to see me there. Please. The WITR djs showed up in sweaters and sneakers and no leather but we let them stay. The kid we called Charlie Brown turned out to be Mike Baldwin. I watched on Saturday nights as a creative and enterprising regular routinely pulled from her pockets the Sharpie color appropriate for the night’s cover charge stamp. She had mad stamp-replicating skills.

I don’t remember how or when it ended. Other bars opened, we saw bands at Snake Sisters and Idols. At some point we seemed to have all just wandered away. I went to a job interview in the early ‘90s and the young boss-to-be examined my resume, then looked at my face, then back to the resume, then to my face. Suddenly she shrieked, “Oh my GAWD I remember you. You were the queen of Scorgies!” I’d never seen this woman before in my life. I came home to tell Terry it was time to leave town.

From the girl on the left.

Tags: ,

Folks, we’re getting into the busy season here at Scorgies Reunion Central. As the deadline for the November 21st  reunion at the German House approaches, our highly unpaid all-volunteer staff has been burning the candle at both ends sifting out the wheat from the chaff.  Expect to see more “over the transom” memorabilia sorted out and posted over the next few weeks.

Having said that,  here are some items to examine:

Scorgies Drink Chips - Simon

Scorgies Drink Chips - Simon

I guess Simon drank four less beers the night he was given these chips! Not sure if he’ll try to use these at the German House.

Gretchen and friend at PFX Record Release Party

Gretchen and friend at PFX Record Release Party

Reader Gretchen W. Cohen sent us this picture as PROOF that she was at the “It’s Different Out There” record release party… There was a photo booth at the event and I’m certain a bunch of pictures were taken that night. As soon as more pictures come in I’ll add them; it should be quite a rogues gallery!

Rock and Roll Joel with Sue

Rock and Roll Joel with Claire Bader

A nice photo of famed WRUR D. J. Rock and Roll Joel in his usual garb with Claire Bader at his side (thanks to Duane & Robert for the ID). Claire Bader worked with Gary Trainer at St. Johns (see comments for more information). I’ve heard from Joel, and he has also tracked down fellow WRUR D.J. Frank Spencer. Frank reports that he will be attending the reunion as well. if you haven’t already done so, join the Scorgies Reunion 2008 group on Linkedin.com. Clicking on the link will bring you to the sign up page.

Steve Dollar & friend

Steve Dollar & friend

I’ve had this photo for a while with no article to affix it to.  At first, I though I’d add it to photos of Dave Stearns and Marshall Fine to create a “rogues gallery” of Rochester music critics but, alas, i couldn’t dig any up. Apres TU, Steve has written for the Atlanta Journal Constitution and of late for the late New York Sun.

Multimedia Artist Russ Lunn and Jim Denault

Multimedia Artist Russ Lunn with Jim Denault

Russ Lunn is a multimedia artist and videographer who worked with Personal Effects, Absolute Grey and Invisible Party. He video taped several bands at Scorgies and worked with Steve Black on a music video for Personal Effects. Russ debuted his agit-prop video installation War/Music/Dance at Scorgies. Jim Denault left Rochester and is a highly acclaimed cinematographer whose work includes the films Boys Don’t Cry , Maria Full of Grace and was nominated for his work on HBO’s Carnivale.

Johnny Thunders at Scorgies - Photo by J. Laben

Johnny Thunders at Scorgies - Photo by J. Laben

So much has been written about Johnny Thunders (see Geoff’s and J. Laben’s posts for additional details).  Great image, and I’l sure it will stir up powerful memories for those who still have working grey matter.

Mark (Newj) Theobald and Sarah Todd

Mark (Newj) Theobald and Sarah Todd

Mark worked at TPI with Paul Klee (and Jim Havalack, albeit briefly). He would later go off on his own, and was the defacto house sound man for Scorgies. Always an exacting craftsman, he had an impressively low-octane approach to getting the job done. I’ve never worked with a sound man who got a better house sound than Mark (though I never, to my recollection, worked with Pee-Wee). In this picture, from the J. Laben collection, it looks like Mark is running the fog machine while Sarah Todd (who is now married to Mark McDermott) is running the momentary lights while attired in some sort of ball gown.

I’ll be back in a bit to post some more. Note: if you want to see your stuff up on line, register at the link and POST! Can’t wait to see it!

Tags: , , , , , , ,

Bill, Ed and Cliff

Bill, Ed and Cliff

REMEMBERING SCORGIES
By Ed Richter

Wow. A Scorgies Reunion. What can I say? After all these years?

Is it true? Sure Is. I am friends with Stan Merrell. He says it’s true.

I am friends with Tom Kohn. He says it’s true. OK, I’ll be there.

What do I remember? I remember getting dressed up. Doing my hair and getting together a couple of girls and heading down to Andrews street.

The stories are in hundreds. Don Scorgie always made the biggest hamburgers in Rochester. He also had a knack for picking national bands about a week before they hit it big. He also gave many local bands their first chance to appear on stage.For some strange reason Don liked me. I got free hamburgers.

But best of all I became Scorgies House Videographer. Yep. I still have all the videos I shot. I shot Personal Effects, New Math, and the Press Tones,  The Chesterfield Kings and of course the Tinglers. At the time I shot the Press Tones they were calling themselves The Pistoleros. The song they were doing at the time was called “Pistol On My Hip“. I also shot the Waitresses, the Comateens (they did the Munsters Theme) and other national acts that appeared in the Rochester area like the Divinyls, Billy Idol.

Cliff Owens on Guitar

Cliff Owens on Guitar

As far as local bands went, one of my favorites was the Tinglers: featuring Bill Curchin as Lead Singer and Cliff Owen as Lead Guitarist. They were the center of the band, and both of them touched me later in my life in a special way.

After Scorgies, Cliff went to law school and was a Assistant District Attorney under Howard Relin. Now he is part of the team at Fiandach & Fiandach. He represented me on a recent legal affair I was involved in, and he’s a nice guy.

As for Bill Curchin,  yeah,  he touched my life recently. Sadly, he died in 2006. Bill how could you do this to us??? Bill was the real essence of cool. He taught me a few things about being cool. “Just be cool and you stay cool”. Wacky statement I guess you had to know Bill. I miss the guy.

Bill Curchin on Vocals

Bill Curchin on Vocals

Anyway I have tons of Videos and photographs I took at the time and will try as hard as I can to get them together for all of you to enjoy. I will write more soon.

I leave you with a few photos of The Tinglers and Myself.

Ed Richter 10/08


Editor’s note: Ed Richter passed away September 22, 2022. If anyone has information on Ed’s archives, shoot us a message. RIP Edwin…

Tags: , , , , , , , , ,

When I first started hanging out at Scorgies, I enjoyed going downstairs and hanging out, especially when Luke Warm was in the DJ booth spinning records. No matter what we had at WRUR or in stock at the Record Archive Luke would always have something new and different to play. If I told him I had the 7″ single of the Dynamic Hepnotics “Hepno-Beat” he’d one up me with the 12″ remix.
However, I am ill qualified to properly memorialize Luke. His life was bigger than my memories, and so I asked Pat Lowery (ex Party Dogs, Family Love Probe, Five Star Buffalo, Bulus, Lotus STP, SLT, Big and Pretty, Hotheads, Rat Kings) to pen a fitting Tribute to Luke.
Here it is (with help from Chuck Irving):


Kuke Warm with Brian Goodman and Connie

Luke Warm with Brian Goodman and Connie

Turn Me Up-T-Rex

The first time I met Luke I was at Scorgies about to take the stage in a band named The Party Dogs. He was working as a dj or something but all I knew was that he was bugging us, asking a lot of questions and hangin around. I didn’t know at the time he would prove to be our only fan that night and a much needed confident. The Party Dogs were not for the weak of heart or for the weak of mind. We were not a local band playing dress up on the weekends, or like most bands able to run back to the suburbs at the end of the night to the comfort of their Blondie posters, and rice cakes. As we hit the stage the sparse crowd of local snobs moved away like scared rabbits. Even the owner the big bad Scorgie himself took refuge among his constituents. Only Luke stood alone in the middle of the room screaming at the top of his lungs as we ended ” I Politician,” with kwami Joseph slamming down on his talking drums and R.U. Sirius screaming; “fuck off,” to the posers in the back. That was my first introduction to the man that would later lift me off the back of my drum seat with a guitar style that both destroyed and created its own universe. He was the Zen madman Ginsberg wrote about and ” The Tyger” Blake burned onto the page. That was 1980, our paths would meet again off and on through the next decade.

I never knew Luke’s real name. I had heard people refer to him as obnoxious Andy, but to me he was always Luke. Luke loved old blues guitarists like John Lee Hooker, Muddy Waters, and Howlin’ Wolf. He also loved Marc Bolan and could easily bridge the gap between these different artists. It was in the showmanship and the bravado they had in common. For a little over three years Luke stayed in his room and practiced guitar and in his own way conjured up a synthesis of styles based on what I call the primordial howl, or as I have written about before-The Big Fuck. Most of us fear the big fuck. We prefer the safer small fuck. Hendrix embraced this feeling, as did Cobain and a few others.

In 1990 or soon after, Luke and Chuck Irving had an idea for a band. They needed a drummer to fill out the roster of Chuck on bass, Luke on guitar, and Mark Marianetti (aka Thing) on vocals. My first response was your kidding, funny idea guys but no thanks. I was forty years old, fat, bloated and out of shape and had been through the local rock band thing too many times already, plus I was suffering from alcoholism and a huge drug problem. I wasn’t worried about Chuck I knew he could play and Thing was already a local legend but the last time I had seen Luke play he was terrible. But fate has a mind of her own and eventually Luke’s relentless persistence paid off.

I would acquiesce for the time being. I would show these guys what punk rock was all about and get a laugh-throw down some beers and a few lines and that would be it. We were in Pat Moschiano’s basement and at first it was terrible. I explained to them that I was a songwriter and an artist and maybe we should try and play a song. Luke was like a caged animal. He was sober at the time and had been sober for three years. Man he was pacing around chain smoking and fiddling with his guitar. He was also mumbling to himself and the whole time his guitar was making this hellish racket. I was listening to Chuck tell me how the song went and then I counted it off. From that opening beat I was in trouble. Luke’s guitar coiled around my neck and was choking me, while Chuck’s bass line was mocking me to play harder while throbbing this current of Hades through my skull. Thing was singing through an amp, but was so loud he sounded as if he was channeling God into the room. Later I would find out he was channeling God. My heart was going to blow I knew it. This was it I thought; these fucks are going to kill me. I kept pounding and Luke’s guitar kept climbing higher and higher and when he began playing the lead to The Hunger everything faded out. I was then suspended above my set, above the laws of earth. I was free! When the song ended I slumped over and grabbed my chest. Luke was so concerned and kind to this beat up old fuck and I was grateful. He looked at me with those huge eyes covered in sweat and mascara and said, ” Pat are you OK, do you need anything, man you look terrible.” And that was the genesis of SLT.

Fourteen years after the band broke up there is a new cd in the works. The cd is being produced at Saxon Recordings and is nearing completion. The songs have been selected from various recording sessions. This will be the first time people will be able to listen and experience the explosive nature of this definitive punk band at the height of their powers. There is also a new CD of songs in the works that will follow. Yes folks SLT lives! Luke can be one persistent spirit. Take a listen and judge for yourself the strange plane his guitar playing was framed from.

I never knew Andy Ogrodowski. Andy died on St Patrick’s Day 1995. Most people didn’t know him. They only thought they had seen him, or had a conversation with him, but I know that isn’t true. I know that isn’t true because most people are small fucks and it isn’t anyone’s fault. There is no one to blame, there never is. Big Fucks, Tygers, Lost Boys, White Niggers, Shadows-the name doesn’t matter, they all seek the high wire. Their love is not easy, so let it go…you never knew Luke. The only thing I do know is when he played we laughed like we were getting away with murder, cause we were. He would look at me lift up his guitar and say, “Ready!”

Tags: , , , ,

From the Gary Trainer Archives comes this wry piece penned for the press kit of “Die Trying.” Link to .pdf of press kit here:

New Math CBS promo photo #1

New Math CBS promo photo #1

Kevin Patrick writes:
“New Math is a band from Rochester NY, formed in fall 76, At that time, even Newsweek hadn’t yet distorted new wave into the contagious disease it was to be tagged for almost two years following. Yet, local bands playing original songs thru minimal equipment were seldom tolerated in the major metropolis, not to mention the smaller “burgs’ of America, And as radio fought to preserve the past -believe it – so did the club owners. Unfortunately, they were the ones with paychecks that literally allowed bands to survive day to day. It was real rough in the beginning, but then times changed. And somehow, New Math survived it all, finding they’d built up a healthy following around the New York state area in the process.

Founding members Kevin Patrick,, Gary Trainer and Dale Smeadley were eventually solidified by Bob McCarthy and Mark Schways and were accepting gigs anywhere; the circus, shopping mails, weddings, church socials and even a car wash grand opening. The usual ploy was claiming they were whatever type music was required for the occasion, and thereby shocking bystanders. In addition people began learning about their spicy pasts,’ Dale for instance, played the part of a child from Saturn on an early Star Trek feature Kevin solicited rock stars autographs thru the mail and just recently scored the final signature of Dave Dee, Dozy, Beaky, Mick and Tich, Gary lost his job in the purchasing dept. of St. John’s Nursing home by ordering $1700.00 worth of guitars and amplifiers thru his office, and ‘butch’ Bobby has been arrested more than once for hustling pool game wagers in gay bars to make ends meet. The resulting recognition got the band some opening slots for national acts passing thru the area. Response was more than favorable, and the confidence gained thru work with bands such as John Cale, Ultravox, 999,, Damned, Willie Alexander and Eddie and The Hot Rods, gave New Math the ultimate chance to move the forefront of their local territory.

Always thinking about their financial situation, the band began asking audiences for contributions. Its been a great gimmick, backfiring only once at a gig with the Ramones. They, were becoming extremely annoyed as the opening band (NM), filed past for a second encore, and so, instructed their road crew to scarf up the change that some 1200 people had showered the band with – and ultimately refused to give it back at the end of the night. Yet, with their odd earnings, the band managed to record “Die Trying” and “Angela” in a 5 hour session at Christmas ’78. After we did the recording we found we didn’t have any money to press it. Luckily, Reliable Records in London loved it, and put the thing out. The resulting press and radio play in the UK gamed attention from major labels, and the band has finally signed with CBS0 Sure we still think about money, but don’t worry as much8 We just finished some more songs – unrushed -in the studio and they are stellar.’ promises Dale.
The real thrust behind New Math is still the same guiding light that started them out in ’76 – to make people dance and watch them have fun. They do it everytime – so catch them as soon as you can. Oh yeah, chant “New Math adds up” to yourself in your spare time as well!

SINGLE
CBS 7916 “DIE TRYING”                12.10.79

Tags:

« Older entries § Newer entries »