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Wow, I’d forgotten that the little light board used to be positioned on that little shelf on the pillar in the middle of the room, back by the bar. Sound used to be mixed there too.
Great to see shots of Mark Nuge & Sarah. They were both always great to work with.
Paul Klee’s TPI was good to work with too, tho that was at the Arcade mostly. I always remember him testing the mics for feedback at sound check… “Teeee-ewwwww…teeee-ewwww…teee-ewww”.
We blew out the electricity on 6 sq blocks of Charlotte at the end of a New Math show up there at the Arcade once, when Paul tapped into the power from the light pole to get us enough electricity for the lights we brought in. But I guess thats a story for the ’50th anniversary of the Arcade’ blog – whenever that happens.
One correction – that’s Claire standing with Joel, not Sue.
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DS is correct in his photo ID – Claire Bader worked with Gary Trainer and Sue Metro at Saint John’s home. Claire did the sound mix/roadie work for The Targets live gigs.
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Stan, How cool that this blog exists. Many good times when Russ and I lived around the corner in that loft on St. Paul. And, thanks to you I found the Absolute Gray mayspace page, which I am listening to now.
One small correction: I never worked on “Deadwood.” The Emmy nomination was for “Carnivale.”
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Wow, Steve looks kinda drunk. Shocking.
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The shot of Gretchen in the photo booth was actually from Personal Effects’ record release party at the Warehouse (now Waterstreet) for their album “It’s Different Out There.” Check out the couple in the foreground of the cover of the LP. http://scorgies.com/blog/?p=1261
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That’s right Peggi…it was Water Street. I think Robert Meyerowitz was along for the ride that night too (though not my companion in the photo!). I’ve tried to pass along this website to him in Alaska…Jay & I are looking forward to seeing you all next Friday.
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Now I am!
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