New Math

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From Pee Wee’s notes: “Kevin has moved to New York. He came back to finish off some stuff and do this job. Everyone took their equipment home. Looks like this is really the last one. The last two songs they played were “Whiter Shade of Pale” and “Taking Care of Business”.

Not sure if that last statement is completely true; the tape cuts off 3/4 of the way through a cover of the Cramp’s “Garbage Man.” Kevin always honored his influences…

However, they did do another old cover that night that was especially appropriate, considering Kevin’s exodus to Manhattan… a cover of Del Shannon’s “Runaway”

New Math performing “Runaway”

New Math's Last Gig - 12-28-1984

New Math's last gig

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This next tape was recorded by noted Scorgies soundman Pee wee  on a Maxell XLI-S normal bias cassette tape on a hot summer’s night in July, 1983 (anyone have the exact date for this show?). No other details about this tape, just a note from Pee Wee that right channel was a feed from the sound board and the left channel was from a well-placed room microphone. The song I’m posting is from the close of the set: “Invocation,” from the EP “They Walk Among You”. I’ve mixed the tracks for your (Mono) listening pleasure.

New Math – Invocation (recorded live @ Scorgies)

New Math at Scorgies from 7-83

New Math at Scorgies from 7-83

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Don Scorgie was fortunate to have to have a great sound system in the club, and one of the best guys at the mixing board was Alan Paprocki, AKA the legendary Pee Wee (an oxymoronic nickname ‘cuz he was sooo tall). Pee Wee mixed for Personal Effects, Delroy Rebop, the Press Tones, New Math and other national acts. Fortunately for us, he also ran a line out to a tape deck and made some killer tapes. I’ve been tasked with digitizing the Delroy Rebop & New Math tapes. So, without further delay, here’s a smidgen of New Math live on 3-25-1983:

Here’s New Math performing Die Trying to a very enthused audience!

New Math 3-25-83 Scorgies

New Math 3-25-83 Scorgies

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Here’s a brief but good Scorgies story.

First just a bit o’ history:  In the late ’70s and early ’80s I was a regular at Scorgies and saw many great shows there. (Good thing the drinking age was 18). It was the center of my friends and my music universe, to be sure. Myself and my college crowd considered ourselves “New Wavers” or at least aficionados of the latest music. We shopped at Record Archive and listened to WUWU, the great Buffalo alternative station, and wore CBGB T-shirts that we bought at House of Guitars.   We saw all the bands; Press tones, New Math (freakin’ trancendental!), Personal Effects (Peggy Fornier had been my high-school Spanish teacher), Chesterfield Kings, etc. I remember a number of times trading insults with the Country Music Rednecks that were going to the Country Warehouse (which shared the same parking area). Oh how they hated us leather-clad kids with mod haircuts and cigs hanging from our lips.

I was even in a very short-lived band with Beth Brown before she was in Absolute Grey. We were called “Seizure Salad”!

As always, I digress. On to the story…

So, one night in early ’82 I was hanging at Scorgies with my friend Lisa Button, and as often happened we were there until they pushed us out the door at two-ish. The bands were finished, and as we were guzzling last-call, a track came on the sound system. It was this mesmerizing, driving song with this great, drony guitar riff. It immediately caught my ear. I said “Wow! Who is this band?”

Lisa replied, “Oh, it’s this new band from England called… (wait for it)…..U2.”

That’s right, she said England.

The song was “I Will Follow.”

I went to Record Archive to find their LP the very next day. That was a lucky twist in-and-of-itself because Island Records US distribution was on strike, and I had to buy “Boy” as an import. $20!!! The import version had completely different cover-art  and was a much nicer package than the US version. It even had one different song. I still have it, and I think it’s worth a few bucks now.

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From the lens of Dan Pusateri, enjoy!

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Somehow I wound up with a back stage pass for the Scorgies Reunion sho

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w at the German House in Rochester, NY. I took a few photos and had good time. It was really great to see everyone.

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From the J. Laben Archives. Enjoy:

What is with these weird hairstyles, this strange music? Are they serious? Are they poking fun? Or both?

Babe Gordon Of Rochester models one of her New Wave outfits

Babs Gordon Of Rochester models one of her New Wave outfits

The Ramones, a rock ‘n’ roll band of current popularity, have a song called “Teenage Lobotomy.” There are those who would suggest they sing from experience. Take, for example, the words to their song “Rock ‘n’ Roll High School”:

“I don’t care about history,
Rock, rock, rock ‘n’ roll high school,
Cuz that’s not where I wanna be,
Rock, rock, rock ‘«’ roll high school,
I just wanna have some kicks,
I just wanna get some chicks,
Rock, rock, rock, rock, rock ‘n’ roll hi-igh school.”

Appearance is another strike against any claims to great mental stature on the part of the band. Tight jeans, sneakers and leather jackets, a real greasy-mean look, tell you these are the kind of guys who need permission from their parole officers to go on high school field trips.

Kevin Patrick, Chris Yockel and Roy Stein of New Math

Kevin Patrick, Chris Yockel and Roy Stein of New Math

But believe the image and you’re the fool. They’ve suckered you with rock ‘n’ roll’s favorite gimmick, theatrics, to sell you rockers’ favorite message, irrever¬ence. The Ramones’ lyrics and looks are mostly suitable trappings for their brand of music — high-speed, high-energy and high-volume rock ‘n’ roll.
Boy, they’ve got their nerve. But boy, they have their fun.

The Ramones pale in comparison with some of the other music going on these days within what is called the “New Wave.”

There is Fad Gadget, the band that uses a Black & Decker speed drill as an instrument. There is CRASH COURSE In Science, whose members make music with kitchen appliances and, in one song, become robots reading a cake mix: “Extract contents for cakes in the home.”

(more vintage theorizing after the jump!)

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Just like in the old days, the infamous Scorgies videographers were in full force at the reunion. While Russ Lunn was shooting hi-def in the balcony, Ed Richter was taping from the stage and from the floor. Ed sent me this yesterday but, alas, I was too tired to post it.

Ed Richter and Peggi Fournier

Ed Richter and Peggi Fournier

Well kids it happened. Oh My God. NEW MATH Live. PERSONAL EFFECTS Live, THE PRESS TONES Live. If you read this Blog and you missed the show you really missed a part of Rochester’s recent History. Forget Renaissance Square. Forget the new Paetec office Bldg. None of that matters! History was made last night at the German House when the greatest reunion of Rochester’s legendary Bar & Club Scorgies happened. 400 plus friends shared a beautiful experience! The Music we loved, the friends we loved we all there.
Some personal friends: The Beardsley Sisters, Bob Martin, Gary Trainer, Peggy & Paul of course. Even an old girlfriend Roxanne showed up. Dick Storms, Dwayne Sherwood, Rock & Roll Joel and a guy we called Mark Mead. The whole cast of the movie showed up. Never knew this guy (Mark Mead) but everyone always talked about him.
The Beardsley Girls

The Beardsley Sisters

Here’s the best part we shot a multiple camera video of it all. With the grace of the gods it will be available soon. Special thanks to Russ Lunn for the master shots of the show. What Can I say? If you were alive and at Scorgies in 1982 and you were at the show last night you would understand my feelings.

ED RICHTER 11-22-08

(More photos after the jump)

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Tonight we played the Scorgies Reunion, along with New Math and The Press Tones. And it was a blast. All three of us played our asses off. The Press Tones played first and just absolutely rocked the house. Jeff Laben of the Cliches got up and did Riverview Restaurant with them and it was just like being at Scorgies again. The Press Tones were in great form – tight, exciting and showcasing their songwriting prowess.

New Math was up next. They opened with We Walk Among You (at least that’s the way I remember it), and I was dumbstruck. The band sounded great musically, but when the vocals started I really had to look twice to see if it was Kevin Patrick singing. I mean, I knew it wasn’t, but the fellow that was up there REALLY channeled Kevin’s vocal sound, style, delivery and tenor. Scary, almost. But before New Math, The Targets, with Sue Metro, did a couple of songs. Lots of fun. I’ll confess that they were a time before I became part of the Scorgies scene, but is it ever too late to become a fan?

We (Personal Effects) hit the stage pretty close to 10. First of all, it felt just as relaxed and natural as it always did when we played. I don’t know what it is about this band, but I’ve never felt nervous playing with them – just excited and joyous. And tonight, that seemed to come through. We played one of the best sets we’ve ever played and it didn’t matter that it was 20 years later.

The one really cool thing is that, for me, it brought closure to a time that sort of never came to a proper end, but lets it remain timeless. Tonight, it was great to have the last gig we never had. Great to run into long-not-seen old friends. Great to still be able to rip it up and pull off a great set. Tonight it was clear – we are just a rock and roll band who really loves playing music together. Sure, we may play again as Personal Effects. But if we don’t, we just closed the perfect door.

Thanks to the entire community for the opportunity to do this – with special kudos to Tom Kohn, The Press Tones, New Math, the other members of Personal Effects (past and present), Duane Sherwood, Stan Merrill and everyone who came together to pull this off tonight.

– Bob

PS: I just wanna give a special thanks to Ken Frank who is the bass player in Personal Effects (and Margaret Explosion). He REALLY brings great bottom to both bands and we could not have done it without Ken.

Photos by Nicholas Gerber

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Three of the Hi-Techs, Martin Edic, Peggi Fournier and Paul Dodd, before going on stage at Scorgies in 1980

Three of the Hi-Techs, Martin Edic, Peggi Fournier and Paul Dodd, before going on stage at Scorgies in 1980

Robert Slide, New Math’s original bass player, sent took these photos

no images were found

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