October 2008

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I guess, in a sense, we all found fulfillment of a sorts in a New Wave band; either by watching our local heroes at Scorgies or actually finding the nerve to get up on stage and make noise of our own.  John Pusateri sent me this article, along with a TON of scans documenting the early scene in the late Seventies. I’m posting this article first because Gary’s story is, in essence, everybody’s story.

HIGH SCHOOL CONFIDENTIAL

By Sarah Kortum

Gary Trainer of New Math

Gary Trainer of New Math

In 1970, Gary Trainer (now bass guitar player and song writer for the popular, local new wave band New Math) found himself standing on the Pacific Coast highway, guitar in hand, hitching a ride up to San Francisco. One month earlier, he had graduated from East High School, wearing a peace symbol on his graduation gown.

Click here for article.

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More from the Tom Kohn archives… today, I’m posting the “Scene” supplement to the “Music Wave of the Future” article. Note the picture of Geoff Wilson playing bass!

The authenticity of this article has been called into question by none other than Cheetah Chrome, who states that “the story is NOT true… the real news story that night was that Johnny Blitz was only able to play half the set (this was right after returning after his stabbing) and his drum tech finished for him. I remember the night clearly – and it wasn’t the way it’s written.”

This jibes with reports that Dave Sterns story had “mischievous” sources and that some of the interviewees were bent on pulling Dave’s leg and stretching the truth. See comments for more info.

Geoff Wilson, lead singer and bassist for The Bowery Boys.

Geoff Wilson, lead singer and bassist for The Bowery Boys.

Click here for the article.

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Uncle Roger

Uncle Roger

 

Roger McCall was an original supporter of the growing alternative rock scene back in the early days of Scorgies.  

As the overnite DJ on WCMF, he had a special relationship with everyone working trick shifts at Kodak, or the other factories, or the 24hr Wegmans, etc.  In the early days after college, as I was job hunting, I did a lot of short term factory work, often on overnite shifts. No matter where I was working, his show was always playing in sync out of countless small radios, echoing all over the warehouse floor.

He started a show called Homegrown where he played local bands tapes or indie singles, had them come in for live interviews, and always talked up their shows.  This led to a series of Homegrown compilation albums where many of the local bands had their first (and sometimes only) recordings released.

He & Kevin Patrick started up a late nite show on ‘CMF called “Import/Export” where they played a lot of the UK singles Kevin was collecting as well as good stuff coming out here that the station normally wouldnt touch. National recording acts that passed thru to play Scorgies often stopped by ‘CMF after their show to talk with Roger. 

He wasn’t at a lot of Scorgies shows, because he was on the air at that time, but I can’t think of another local media personality that was as supportive.  He was never malicious, even in private he would never say anything negative about any local band.  I remember Paul & Peggi & I doing an impromptu little collaborative recording & performance project called the Three Stools. We recorded 3 or 4 songs in my bedroom. I knew Rogers tastes in music enough to know he wouldnt like this stuff at all.  I also knew him well enough to think that he would tell me that he didnt like it. There was a lot he could pick apart about it, but when I asked him what he thought all he would say was “I love the concept”. A true gentleman.

I moved to NYC & hadnt seen Roger for well over 10 yrs, when I ran into him unexpectedly at 6:30 AM one morning during a visit home.  I was leaving the East Ave Wegmans with coffee, as he was coming in, having just gotten off the air.  It was literally like we hadnt talked in a week, it was so great to see him.

Roger was murdered near Bulls-head a few years ago. Killed on the street at nite, in a crime that was never solved. Maybe others can shed some light, but to me it seems like there wasnt much effort to solve it.  I never heard much about WCMF leading the charge or putting pressure on the city to go the extra mile in finding the killer. He definitely deserved more.

One thing I know for sure, there isnt a band in Rochester, then or now, whose path isn’t somehow easier because of Roger McCall and his support for local music.

Duane

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The cool thing about sifting through old newspapers is reading about shows you’ve barely remember; Embarrassingly enough, though, it appears I sang backup on “Gloria” (with Del Rivers, no less) for the Projectiles. I think I need more Ginkgo Bilbao!

Anyway, here’s an article from Pat Thomas’ Notebook written by Brian Goodman about the time the Projectiles “stepped up” to the plate to sub for the Lyres.:

Projectiles - Notebook Winter 85 Issue

Projectiles - Notebook Winter 85 Issue

Alphonso Cappelli (AKA Brian Goodman)

On November 16th, 1 got into my ’65 Dodge Dart and headed off to Scorgies to see The Lyres. When I arrived I was informed that The Lyres hadn’t shown up yet. So I paid the cover and went in. What happened to me after that was that 1 discovered one of the best Rochester 60’s bands since The Cavemen. So I quickly made my way to the front of the stage so I could see what their bass drum said. After pushing a big drunk guy out of my way, I could see that it said The PROJECTILES. It was written in lettering just like an old poster for The CHOCOLATE WATCHBAND  playing at The FILMORE (Wes Wilson, Rick Griffin-artists) The sounds 1 heard were devastating ***** Such as Question of Temp., I Wanna Come Back From The World of LS.D. and Bad Little Woman. 1 stood in amazment as I watched them hammer out about 30 songs in one set. As soon as they left the stage, I quickly started yellin’ MORE MORE. ***** But local legend Stan “The Man” got on stage and made the announcement The Lyres had cancelled. The first thing that came to my mind was that the opening band would be back to play more. Just then Stan said that they would be back and there was gonna be a 10 minute open bar. Cool daddy-o **** After about a 20 min. break, The PROJECTILES took the stage. They started the 2nd set with the classic GLORIA. On lead vocals was Mick (Hidden Charms-Boss Beat) Del Rivers and Stan on backing vocal. After the mayhem, it was back to business. They started playin’ classic nuggets like Public Execution, Mouse and the Traps, the list is endless. A good time was had by all. After the show, I quickly ran after the band to find out their names and where they’d
be playin’ next. They told me that nothing was going on until Jan. 11th and that COUSIN AL and THE NEW GENERATION were gonna be the opening band.

So see you there, So long for now. Alphonso Cappelli

Alphonso Cappelli is a freelance writer who has never written a thing in his life before this. He has also never typed before this. *********

THE PROJECTILES ARE:
Kevin Keefer — Vox Bass
Jerry Flanigan — Guitar, vocals
Den Frank — Guitar, vocals
Tony Pilato– Farfisa Organ, vocals
Brian Goodman– Drums, vocals

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I have an Antoinettes cassette waiting to be archived here at Stan the Man HQ; until then here’s a Marshall Fine piece on the Antoinette’s last Scorgies show. Prior to the Antoinettes, Meegan, Margie and Kim were members of Syracuse’s Pop-Tarts! More on that here.

I’ve heard from Kim Milai, she’s still making (and teaching) music in Virginia. Details here.

BIG APPLE BOUND

The rockin’ Antoinettes, Rochester’s only all-woman band, will move on soon in search of bigger breaks

By MARSHALL FINE
Times-Union

Click here for article.

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